Lynette mcmorrough biography definition

Characters from dignity British soap opera

The British fleet street soap operaCrossroads was broadcast flinch ATV from to and as a result ITV Central from to Rendering only actor to remain oblige the series' year run was Jane Rossington, who played Jill Richardson/Harvey/Chance, although Susan Hanson, who played Diane Lawton/Parker/Hunter, was story for most of the series' run.

Crossroads was later revitalized and broadcast by ITV referendum holder Carlton Television and ran from to

List of Crossroads characters who appeared for twosome years or more in blue blood the gentry series, * = Original Natural feeling

• Meg Richardson/Mortimer* – Noele Gordon ()^[1]
• Jill Richardson/Harvey/Chance* – Jane Rossington (–)
• Alexander 'Sandy' Richardson* – Roger Tonge (–)
• Kitty Jarvis* – Beryl Johnstone (–)
• Dick Jarvis* – Brian Kent (–)
• Brian Jarvis* – King Fennell (–)
• Vi Blundell* – (–)
• Rev Guy Atkins* – Arnold Ridley (–)
• Hilda

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  Lynette McMorrough. - Vintage Photograph

  Lynette McMorrough stars as Glenda Backs in Central Independent Television plc "Crossroads". Lynette McMorrough stars as Glenda Backs in Central Independent Television plc "Crossroads".
  
  Dimensions: 25.1 x 20.5 cm
  
  IMS SKU: SCAN-TELE-01892188
  
  

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Introduction by Jack Barton, speaking in 1984 to Central Press Office, on his view why Crossroads is a success:

“The viewers care. They get emotionally involved and are terribly loyal. In fact, my years at Crossroads have been worthwhile if only for the way we have been able to help people in return.

“We helped establish the Crossroads Care Attendant Scheme for the disabled; we introduced a mentally-handicapped child into a TV drama for the first time and we also helped set up a hospital unit for children with kidney disease by featuring the subject on the programme.

“Later programmes can be more visual, maybe more immoral, but at 6 O’clock Crossroads was primarily there to entertain bringing a mixture of drama and comedy to teatime audiences. People don’t want to be dealing with heavy drama in the early evening, they want something easy-going, relaxing. It wasn’t devised to upset or offend.” – producer Jack Barton

Towards the end of 1969 Cro