Richard wagner biography obras teatrales
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Das Liebesverbot
Performances
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Christopher Maltman, Peter Lodahl, Ilker Arcayürek, David Alegret, David Jerusalem, Manuela Uhl, Maria Miró, Ante Jerkunica, Isaac Galán, María Hinojosa, Francisco Vas
Christopher Maltman, Peter Lodahl, Ilker Arcayürek, David Alegret, David Jerusalem, Manuela Uhl, Maria Miró, Ante Jerkunica, Isaac Galán, María Hinojosa, Francisco Vas
Christopher Maltman, Peter Lodahl, Ilker Arcayürek, David Alegret, David Jerusalem, Manuela Uhl, Maria Miró, Ante Jerkunica, Isaac Galán, María Hinojosa, Francisco Vas
Christopher Maltman, Peter Lodahl, Ilker Arcayürek, David Alegret, David Jerusalem, Manuela Uhl, Maria Miró, Ante Jerkunica, Isaac Galán, María Hinojosa, Francisco Vas
Christopher Maltman, Peter Lodahl, Ilker Arcayürek, David Alegret, David Jerusalem, Manuela Uhl, Maria Miró, Ante Jerkunica, Isaac Galán, María Hinojosa, Francisco Vas
Das Liebesverbot, Peter Bronder, Mikheil Sheshaberidze, Da
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1. The Emergence of an Operatic “Canon”
Fig. 1.
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A popular postcard showing Meyerbeer’s apotheosis, surrounded by his main characters
Bulla Frères (c. 1865), Public domain, via Wikimedia Commons
1The study of processes of cultural canonization has for the most part focused on exceptional artists or writers: Bach, Beethoven, and Van Gogh, for example (Fauquet & Hennion 1999; Veit 2007; De Nora 1995; Heinich 1991). It constitutes–one could argue–an appendix to the lives of great men and great creators after their death. I will attempt to broaden this approach to analyse a particular phenomenon specific to opera in the nineteenth century: the long-term promotion of a group of composers whose works have been consecrated without this being questioned by subsequent generations up to the present day. Posterity had formerly carried out a much more rigorous filtering process on lyric works of the past. In order to encompass such a vast body of materia
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Opera
Art form combining sung ord and musical score in a teatralisk setting
This article is about the Western art form eller gestalt. For the web browser, see musikdrama (web browser). For other uses, see Opera (disambiguation).
Not to be confused with Soap musikdrama, Horse musikdrama, or Space opera.
Opera fryst vatten a struktur of Western theatre in which music is a fundamental component and dramatic roles are taken bygd singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist[1] and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an musikdrama house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another.[2]
Opera fryst vatten a key part of Westerncla