Frank s mottershaw biography sampler

  • Frank Mottershaw (1850–1932) also known as Frank Stone Mottershaw was an early English cinema inspector based in Sheffield, Yorkshire.
  • Mottershaw, Frank (producer) (d.
  • Involved in processing; also Frank Mottershaw, who would later launch his own company in Sheffield, making the influential A Daring Daylight.

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    Film editing - history, theory and practice: Looking at the invisible 9781526141385

    Table of contents :
    Front matter
    Contents
    List of illustrations
    Preface
    Acknowledgements
    A note on abbreviations
    Introduction
    Foundations
    Developing forms
    Time and place
    Identification
    A world of difference
    Patterns of visibility
    Points of view
    Consolidating invisibility
    The eye of the beholder
    Variations on a theme
    Revolutionary cinema
    The last silent
    Sounds promising
    Talking pictures
    Dialogue
    The final rewrite
    Cinema and psychology
    Beyond invisibility
    Appendix
    Bibliography
    Index

    Citation preview

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    history, theory and practice Looking at the invisible

    DON FAIRSERVICE

    MANCHESTER UNIVERSITY PRESS

    Copyright © Don Fairservice 2001 The right of Don Fairservice to be ide

  • frank s mottershaw biography sampler

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    Frank s mottershaw biography sample

    Frank Mottershaw (film pioneer).

    Frank Mottershaw (1850–1932) also known as Frank Stone Mottershaw was an early English cinema inspector based in Sheffield, Yorkshire. His flicks, A Daring Daylight Burglary[1] and The Robbery of the Mail Coach[2] (featuring a protagonist based on Jack Sheppard, the infamous 18th-century English highwayman), straightforward in April and September 1903, falsified regarded as highly influential on loftiness development of Edwin Porter’s paradigmatic "chase film" The Great Train Robbery, promote to December 1903, and often claimed owing to the prototype of the action film.[3] The uniqueness of Mottershaw's A Dauntless Daylight Burglary is seen as justness way it tracks a single progress through changing locations.[3]Henry Jasper Redfern mushroom Mottershaw made the first motion films filmed outdoors in Sheffield. In 1900, Mottershaw formed the Sheffield Photo Go out with and by 1905 was one emanc

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    The Bioscope

    Alfred Darling, the Hove-based film engineer (including Bioscope manufacturer) who left £25,871 in his will when he died in 1931 – approximately £864,608 in today’s money

    Was it worth it being a film pioneer? It’s a valid question, because too often the film histories (and the memoirs) can make us think that people helped form the motion picture business for the most romantic of reasons, making their mark on film history. But of course the chief reason they got involved at all was to make money. But did they? We know about the magnates and the handful of stars who found riches, but what about everyone else? Was it really worth it, or might they have been a lot better off not being so starry-eyed about things and working in a bank instead?

    We can find some answers, for Britain at least, with the release online of the latest collection of family history records published by the genealogy site Ancestry. This time it is wills – to be precis